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Gemma Galvin

Of Quick Shadows

Of Quick Shadows

PAINTING

Gemma Galvin, a third-generation Sydney-based artist, creates emotionally driven abstracted landscapes and figurative studies. Her works explore strength, balance, and sensuality through textured mediums, offering a sense of intrigue and intimacy inspired by memory and personal reflection.

Size: 70 cm (H) x 90 cm (W)

Only 1 available

View: In the gallery

Artwork Details

Materials
Acrylic on Canvas

Size
70 cm (H) x 90 cm (W)

Framing
Framed in Oak

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FAQ

Does the artwork include the frame?

The artwork is Framed in Oak. Sometimes we do show the artwork in frame and out of frame to give an idea of how it would look. Expand the "Artwork Details" above, to learn more about the artwork.

Is this a real artwork?

Yes. This is an original one-off artwork, Acrylic on Canvas. We do use digital technology to frame the artworks and/or position them in-situ (home environments) for the purpose of helping you visualise the look and feel of the work.

I live overseas, do I pay import duties?

Any applicable taxes and import duties for your country are solely your responsibility and payable direct to the courier. Overseas collectors do not pay our Australian 10% GST tax (confirmed at checkout). We recommend providing your mobile/cell number at checkout to help facilitate payment of any applicable taxes and/or duties.

$3,000.00 AUD
$3,000.00 AUD
Sale Sold
Taxes included. Shipping calculated at checkout.
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Artist Statement

Gemma Galvin

About the artist

Gemma Galvin

Gemma Galvin is a self-taught artist based in Sydney, Australia. A third-generation artist, her work focuses on the abstraction of the natural form while exploring strength, balance, and powerful sensuality. Emotionally driven, her abstracted landscapes and figurative studies explore deep personal reflection and emotional connection.

Choosing to work with varied painting mediums and an interplay of textures and hues, the intended effect is works that create a sense of intrigue and intimacy. Gemma’s work is intuitively driven by the human attachment to memory and its externalised renderings.

Gemma Galvin's Collection

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